The Lovely Anarchy of the Earliest Animated Cartoons: Discover an Archive with 200+ Early Animations

Ear­ly in his col­lect­ing odyssey, ani­ma­tion his­to­ri­an, archivist, and edu­ca­tor Tom­my José Stathes earned the hon­orif­ic Automotive­toon Cryp­to­zo­ol­o­gist from Cinebeasts, a “New York-based col­lec­tive of movie nerds, vid­iots, and professional­gram­mers inves­ti­gat­ing the fur­thest attain­es of the mov­ing picture uni­verse.”

Newer­ly, George Wille­man, a nitrate movie professional on the Library of Con­gress’ movie preser­va­tion group dubbed him “the King of Silent Ani­ma­tion.”

The seed of Stathes’ endur­ing pas­sion took root in his 90s little one­hood, when slapped togeth­er VHS antholo­gies of automotive­toons from the 30s and 40s could possibly be picked up for a cou­ple of greenbacks in gro­ceries and drug­shops. These finds typ­i­cal­ly includ­ed one or two silent-era rar­i­ties, which is how he grew to become acquaint­ed with Felix the Cat and oth­er favorites who now dom­i­nate his Ear­ly Ani­ma­tion Archive.

He squeezed his par­ents and grand­par­ents for mem­o­ries of automotive­toons screened on tele­vi­sion and within the­aters dur­ing their youth, and commenced analysis­ing the his­to­ry of ani­ma­tion.

Actual­iz­ing how few of the ear­ly automotive­toons he was be taught­ing about could possibly be vast­ly seen, he got down to col­lect and archive as many examination­ples as pos­si­ble, and to share these trea­sures with new audi­ences.

His col­lec­tion cur­lease­ly con­sists of some 4,000 ani­mat­ed reels, truf­fled up from vintage outlets, flea mar­kets, and eBay. In addi­tion to his Automotive­toons on Movie YouTube chan­nel, he hosts reg­u­lar in-per­son Automotive­toon Automotive­ni­vals, usually curat­ed round hol­i­day themes.

Stathes’ pas­sion undertaking is giv­ing many once-pop­u­lar char­ac­ters a sec­ond and in some cas­es, third act.

Take Farmer Alfal­fa, (occa­sion­al­ly ren­dered as Al Fal­fa), the star of 1923’s The Fable of the Alley Cat, an set up­ment within the Aesop’s Fables collection, which ran from 1921 to 1929.

His first seem­ance was in direc­tor Paul Ter­ry’s Down on Phoney Farm from 1915, however as Stathes observes, child boomers grew up watch­ing him on TV:

Close to­ly all of those of us who males­tion the char­ac­ter may even ref­er­ence ‘hun­dreds’ of mice. Few might have actual­ized that, whereas the Farmer Alfal­fa automotive­toons run­ning on tele­vi­sion at the moment have been already previous, the movies starred one of many ear­li­est recur­ring automotive­toon char­ac­ters, and one which loved an incred­i­bly lengthy profession com­pared along with his automotive­toon con­tem­po­raries.

The Fable of the Alley Cat honks a whole lot of famil­iar vin­tage automotive­toon horns — slap­stick, might­hem, David tri­umph­ing over Goliath… cats and mice.

Stathes describes it as “a slightly sin­is­ter day within the lifetime of Farmer Al Fal­fa — It’s clear that the ani­mal king­dom tends to despise him! — and his doc­u­males­ta­tion is metic­u­lous:

The ver­sion seen right here was pre­pared for TV dis­tri­b­u­tion within the Nineteen Fifties by Stu­artwork Professional­duc­tions. The music tracks have been orig­i­nal­ly com­posed by Win­ston Sharples for the Van Beuren ‘Rain­bow Parade’ automotive­toons within the mid-Nineteen Thirties.

The mis­matched duo, Mutt and Jeff, bought their begin in dai­ly information­pa­per comics, earlier than mak­ing the leap to ani­mat­ed shorts.

Ani­ma­tion con­nois­seurs go bananas for the per­spec­tive shift on the 14 sec­ond mark of Snicker­ing Gasoline (1917), a rar­i­ty Stathes shares as a ref­er­ence copy from the orig­i­nal 35mm nitrate kind, with the promise of a full restora­tion sooner or later.

(A num­ber of Stathes’ acqui­si­tions have dete­ri­o­rat­ed through the years or sus­tained dam­age by means of improp­er stor­age.)

Dinky Doo­dle and his canine Weak­coronary heart have been Nineteen Twenties Bray Stu­dios crowd­pleasers whose stint on tele­vi­sion is evi­denced by the mid­cen­tu­ry voice over that was added to Dinky Doo­dle’s Mattress­time Sto­ry (1926).

The char­ac­ters’ cre­ator, direc­tor Wal­ter Lantz seems as “Pop” within the above stay sequences.

Automotive­toons On Movie has coaxed Koko the Clown, Flip the Frog, Bon­zo the Pup, and Mick­ey Mouse pre­cur­sor, Oswald the Fortunate Rab­bit, out of moth­balls for our view­ing plea­positive.

Stathes’ col­lec­tion additionally dredges up some objec­tion­ready peri­od titles and con­tent, Lit­tle Black Sam­bo, Pink­pores and skin Blues, and Korn Plas­tered in Africa to call a couple of.

Stathes is thoughts­ful of con­tem­po­rary sen­si­bil­i­ties, however stops in need of enable­ing them to clean these works from the his­toric report. He warns would-be view­ers of The Chi­na­man that it con­tains a “racist speech bal­loon in addition to an inter­ti­tle that was minimize from the lat­er TV ver­sion for obvi­ous rea­sons:”

Such was the vul­gar ter­mi­nol­o­gy in these days. To ques­tion or cen­sor these movies can be deny­ing our his­to­ry.

Start your explo­rations of Tom­my José Stathes’ Ear­ly Ani­ma­tion Archive right here and if that’s the case inclined, con­tribute to the associated fee­ly stor­age of those rar­i­ties with a Ko-fi dona­tion.

Relat­ed Con­tent 

Ear­ly Japan­ese Ani­ma­tions: The Ori­gins of Ani­me (1917 to 1931)

The First Ani­mat­ed Fea­ture Movie: The Adven­tures of Prince Achmed by Lotte Reiniger (1926)

Watch Dzi­ga Vertov’s Unset­tling Sovi­et Toys: The First Sovi­et Ani­mat­ed Film Ever (1924)

The First Avant Garde Ani­ma­tion: Watch Wal­ter Ruttmann’s Licht­spiel Opus 1 (1921)

– Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and creator, most up-to-date­ly, of Cre­ative, Not Well-known: The Small Pota­to Man­i­festo and Cre­ative, Not Well-known Activ­i­ty Ebook. Fol­low her @AyunHalliday.